Translatedocuments from English to Indonesian - FREE Roland Indonesia - YouTube Roland Japan for Indonesia http://bit.ly FeaturingBurstbucker 3 and '57 Classic pickups with coil-splitting, Grover locking tuners, and Gibson top hat knobs, the Traditional Pro also sports a non-chambered mahogany body with a high-gloss finished maple cap, while the back, sides, and '60's-style neck have a smooth satin finish that feels great and lets the wood resonate fully. GibsonLes Paul, apart from its striking looks, also boasts a warm, full sound that has tons of sustain, making it ideal for anything from jazz and blues to heavier music genres, such as hard rock and heavy metal. It's also made exclusively in the USA, which ensured the use of premium materials and superior build quality. mautau tentang Gibson Les Paul Traditional 2012? Ada video review tentang gitar tsb, enjoy!:salamkenal Please subscribe & like! Belikoleksi Gibson Indonesia online lengkap edisi & harga terbaru July 2022 di Tokopedia! ∙ Promo Pengguna Baru ∙ Kurir Instan ∙ Bebas Ongkir ∙ Cicilan 0%. BestPremium PRS Guitar - Paul Reed Smith Custom 24. Best Affordable PRS Guitar- PRS SE Standard 24. Best Single-Cut PRS Guitar - PRS SE 245. Best Baritone PRS Guitar - PRS SE 277. Best Strat Style PRS Guitar - PRS Silver Sky. Best PRS Acoustic Guitar - PRS SE Angelus A50E. Indonesia"gibson les paul" Gibson Les Paul High Performance 2019 Electric Guitar Specifications Body Body shape: Single cutaway Body type: Solid body Body material: Solid wood Top wood: AAA Figured Maple Body wood: Weight relieved Mahogany Body finish: Gloss Orientation: Right handed Neck Neck shape: Asymmetrical SlimTaper Neck FirstI list the features of the Gibson Les Paul 59 FB Light Aged guitar. Then you have a video or two, purchase links. I'll tell you how this post is built. First I list the features of the Gibson Les Paul 59 FB Light Aged guitar. Then you have a video or two, purchase links ProductRegistration Customer Service Repair and Restoration Report Counterfeits Serial Number FAQ Gibson Guitar Specs (2015-2019) Dealer Resource Center Locate A ReviewGitar Gibson Les Paul Faded T Trusted Review #13_____Guitar: Gibson Les Paul Faded TRecording: Mic Shure SM57Amplifier: Fender Bassbreaker 007P bjkW3bD. If you’re wondering whether getting the Gibson Les Paul Custom is a good idea or not, don’t worry – you’ve come to the right place! In today’s in-depth review, I’m going to take a very close look on that popular high-end model. It’s quite expensive, but is it actually that good?The answer is YES! Gibson Les Paul Custom offers a truly exceptional quality. It definitely looks, feels and sounds like an axe from the highest shelf. Surely, all guitarists will be extremely happy after adding it to their own guitar dive deeper with research to find out what exactly makes the LP Custom so good and so popular. Firstly, we’ll start with a quick overview of the specifications of that model. Additionally, we’ll compare it with a few other Gibson and Epiphone guitars and we’ll have a look at the biggest pros and cons of that – Specs & PricingGibson Les Paul Custom is a high-end electric guitar designed for the most demanding guitarists out there. In fact, this is one of the most popular premium models manufactured by this brand!What makes it so cool? Well, the guitar features a solid mahogany body with a maple top. It also has a comfortable mahogany neck with an easy-playing ebony fretboard. This is a big advantage of that model, because it allows you to practice and shred for several hours without getting decided to equip this model with a pair of superb pickups 498T and 490R humbuckers. They sound absolutely amazing and they’re really versatile. No matter whether you’re into jazz, rock or metal, you can be sure the responsiveness of these pickups won’t let you is also worth mentioning that Gibson Les Paul Custom looks absolutely amazing too. It’s clearly visible that this is an expensive, high-end guitar. On top of that, this axe has a wonderful nitrocellulose lacquer finish which enhances the tonal qualities of that it comes to pricing, let’s be honest – it’s a really expensive guitar. It’s significantly more expensive than other popular models made by Gibson such as Gibson LP Tribute, Standard ’50s or Standard ’60s. However, in my opinion it’s not overpriced at all. The best gear in the world is never cheap!Here’s a quick sound demo – feel free to check it out The PickupsAs you’re already aware, Gibson Les Paul Custom has a pair of two amazing pickups498T humbucker bridge490R humbucker neckBoth of them are equally awesome, but there’s a few things that differentiate them. The 490R humbucker sounds really close to the original PAF, so it has a subtle upper-mid bump which results with an extraordinary clarity and definition. It’s fantastic for all rhythm guitar the same time, the 498T humbucker puts more emphasis on the mids and highs, so it’s an ideal choice for crunchy riffs and screaming solo leads. The sustain of that pickup is out of this world, so it’s a perfect choice for heavier styles of The HardwareThe manufacturer equipped the Gibson Les Paul Custom with the Tune-o-matic bridge with a stopbar tailpiece and Grover Kidney tuners which guarantee a really good tuning stability. This is really important, especially when you’re often performing course, there’s also a classic 3-way toggle pickup switch along with two volume and two tone & ConsJust like any other electric guitar available on the market, Gibson Les Paul Custom has its own advantages and disadvantages. That’s totally normal! However, it seems pretty clear that the cons of that axe are really subjective, because it’s pretty much a flawless BeautifulSounds FantasticFeels GreatHardshell Case IncludedPerfect For ProfessionalsHigh PriceAs you can see, there are a lot of things that can be considered as major advantages of that guitar. Gibson Les Paul Custom looks, sounds and feels like a real piece of art. It exceeds all the expectations and it’s perfect for professional guitarists. Additionally, it comes with a top quality hardshell case. Who needs anything else?The main disadvantage of this Gibson guitar is the undeniably high price. This is probably the biggest obstacle that you may face if you’re thinking about adding it to your own collection. Surely, not many guitarists will be able to get it straight away without having to save up for a long even though it’s an expensive guitar, it’s totally worth it. I’m sure that anyone who’s searching for a high-end axe will be really satisfied after choosing the LP Custom. It’s a dream guitar!Here’s an another Is It For?Gibson Les Paul Custom is suitable for guitarists of all levels. You don’t have to be an experienced player to notice the uniqueness and the exceptionally high quality of that since it’s a really expensive guitar, it’s mainly recommended for intermediate and professional is a fantastic instrument to record and gig with. If you’re searching for a new guitar to record your next album with, Gibson Les Paul Custom is a safe bet. It cuts through the mix perfectly!Of course, just like any other classic Les Paul model, this is a fantastic axe for rock and metal genres. Whether you’re a rhythm or lead guitar player, you will definitely enjoy the versatility of these 490R and 498T I’m positive that the vast majority of guitarists will really enjoy playing on that high-end model. There’s just nothing to complain about apart from the high price. It’s a flawless axe which is a true piece of art!Gibson Les Paul Custom vs Epiphone Les Paul CustomAs you’re already aware, Gibson Les Paul Custom is not a cheap guitar, so not everyone can actually afford it. That’s why a lot of guitar players decide to choose a much more expensive Epiphone Les Paul Custom. But can it actually compete with that high-end Gibson?The truth is that Gibson Les Paul Custom is a better guitar, but it doesn’t mean that the Epiphone model is bad. In fact, Epiphone Les Paul Custom offers a surprisingly good value for the price difference between these two guitars is clearly visible. The LP by Epiphone is not premium, but it still offers a really good quality for the money. If you would put the same pickups 490R and 498T into this model, it would sound very close to the Gibson LP you can see, it all depends on the size of your budget. If you don’t want to spend too much on a new guitar, choosing the Epiphone will be a really good idea. But if you’re searching for a guitar from the highest shelf, you should definitely try the Custom axe by a really good video that compares the tone of Gibson and Epiphone Les Paul Custom models – feel free to check it out Les Paul Custom vs StandardIf you’re not satisfied with getting a guitar made by Epiphone, the chances are that you want an axe with a Gibson logo on the headstock. However, the LP Custom is not the only one good model made by brand – quite often, guitarists choose the LP truth is that it’s really difficult to clearly determine which one of these models is better, because they sound a bit differently. In my opinion, the LP Custom has a bit warmer and deeper LP Standard is also cheaper, so if you’re not okay with spending such a huge amount of money on getting a Custom model, it will be a good fit for the difference between Gibson and Epiphone Les Pauls was clearly visible, the difference between the Standard and Custom models isn’t that obvious. It all comes down to your own personal a great video that compares the tone of Gibson Les Paul Custom and Gibson Les Paul Standard – feel free to check it out Alternatives?If you’re not satisfied with the overall quality of Gibson Les Paul Custom and you have a feeling that it won’t be a good fit for you, that’s not a problem! There’s still a lot of fantastic electric guitars out there that also deserve a lot of course, choosing a brand new axe will depend on your own preferences and most importantly, on the size of your budget. Still, here’s a few other models that you may also Option 1 – Gibson Flying VGibson Flying V is an another fantastic high-end electric guitar suitable for rock and metal music. It looks completely different than the Gibson Les Paul, but it’s still absolutely guitar features a lightweight mahogany body, a SlimTaper mahogany neck and easy-playing rosewood fingerboard. Gibson also equipped this model with a pair of great sounding Burstbucker humbuckers. Surely, all lovers of heavier music genres will be in love with their important, the Flying V is significantly more affordable than Gibson Les Paul Custom. It’s not a cheap guitar, but it will be definitely much easier to save up to get that particular not everyone likes that kind of body shape, it’s definitely one of the most legendary guitars of all time. I have no hesitation in recommending the Flying V to all guitarists who are searching for a high-end axe suitable for rock and Option 2 – ESP LTD EC-401ESP LTD EC-401 is an another really good electric guitar designed for the most demanding guitarists out there. This is a mid-level axe, so it’s not a high-end model. But at the same time, it’s far more affordable than Gibson LP manufacturer equipped that model with a pair of really good EMG pickups – EMG 60 & EMG 81. These humbuckers are perfect for fat, crunchy riffs and fast, melodic solos. If you’re into shredding, this guitar will be a perfect fit for is it for? Well, I’m sure that any enthusiast of rock and metal music will be really happy after adding this guitar to their own collection. It has everything you need – a great tone, a stunning look and a very comfortable feel. On top of that, it’s not that expensive. Who needs anything else?Alternative Option 3 – Epiphone Les Paul VEEpiphone Les Paul Special VE is one of the cheapest Les Paul guitars that you can currently find on the market. Of course, it can’t really compete with Gibson Les Paul Custom, but it’s still a really good choice for someone with a very low you don’t want to spend too much on a new gear or if you’re an absolute amateur, this guitar will be an excellent fit for you. I had the pleasure to test it out on my own and I was particularly impressed by the comfortable neck of that axe. It has a satin finish which significantly enhances the overall humbuckers used in that model are pretty basic, but they do the job very well. Surely, if you’re just starting out, this guitar will be more than enough for you. That’s why I highly recommend checking it out!FAQWhere are Gibson Custom guitars made?Gibson Custom guitars are manufactured in the United is the scale length of that guitar?The scale length of that guitar has can I find out more about Gibson guitars?If you want to learn more about the guitars made by this legendary manufacturer, make sure to visit the official website of you can see, Gibson Les Paul Custom is an absolutely amazing high-end electric guitar. I have no hesitation in recommending this model to all guitarists who are looking for a premium axe suitable for live performances and studio sessions. There’s an extremely high chance that it will be your favorite do you think of that model? Do you think that high-end Gibson are overrated? Leave a comment down below and let me know what you think, I’m really interested to hear your thoughts about it!Thanks for checking out today’s review, hopefully it was helpful and you found what you were looking for. If you enjoyed this article and you’re searching for more gear recommendations, you may also like10 Best Gibson Acoustic Guitars [2022 GUIDE]Gibson Les Paul Standard ’50s – Is It Worth It? [REVIEW]Gibson Les Paul Tribute – Is It Good? [REVIEW] Gibson’s back-to-basics approach has seen the rejuvenated company streamline its electric-guitar catalogue and carve it up into three distinct ranges. The Original Collection and Custom Shop are the primary destinations for purists looking for vintage-style looks and specifications, while the Modern Collection is where you’ll find a mixture of the stripped down and souped pretty at the top of the heap in the Modern Collection is the Les Paul Modern. During Henry Juszkiewicz’s reign, this model would probably have been called the 2020 Les Paul Standard – it certainly inherits a few features from some of Gibson’s more experimental riffs on the Standard’ chief alterations to the classic recipe are an Ultra-Modern’ weight relief pattern, a slim-taper neck with an asymmetrical profile and contoured heel, a 10- to 16-inch compound radius ebony fingerboard with binding but no nibs, locking Grover Rotomatics and an aluminium Nashville Tune-o-matic bridge that’s secured in threaded inserts rather than screwed straight into the binding is bright white and the hardware a mirror-like chrome, while the mildly futuristic clear top-hat knobs provide access to a quartet of push/pull potentiometers hard-wired to an internal either of the Burstbucker Pros’ volume controls into the up position puts the corresponding pickup into single-coil mode. The neck pickup’s tone control is where you’ll also find phase switching, while the bridge pickup’s tone control activates a pure bypass’ that routes straight to the bridge humbucker with the tone control removed from the the brown-stained neck and back has the kind of hue you’d have found on Goldtops of yesteryear, the Les Paul Modern is offered with a trio of eye-catching metallic tops Faded Pelham Blue, Graphite and Sparkling Burgundy, with the latter featuring on our review guitar. Aside from a few areas of slight bleed into the white binding, the finishing looks sharp, without a hint of orange peel’ – and the deep, blood-red top really pops when framed by the binding and useModern it may be, but this Les Paul isn’t so radical a rewrite that it feels in any way alien. In fact, played acoustically, the formula is very familiar. Although its mahogany body is heavily chambered, this guitar is still reassuringly substantial, with a smooth and balanced unplugged voice and no shortage of sustain above the 12th fret. The body thickness may be 10mm shallower than usual behind the contoured heel, but it doesn’t seem to have a negative sonic asymmetric neck carve is subtle but effective. The slightly more rounded bass side and skinnier treble-side taper combine with the compound-radius fingerboard to offer a smooth, comfortable ride, but it’s definitely not a modern shred profile – relatively small medium-jumbo frets serve to keep things firmly in the classic’ ballpark and may alienate more technical said, it’s one of those guitars that encourages the more stoic among us to be a little more daring. Although there’s still a fair bit of mass to negotiate – this isn’t an SG, after all – when you get to those upper registers, the slinkier heel area makes soloing above the 17th fret considerably easier than on a traditionally constructed LP with the full-fat humbucker tones, we’re greeted with plenty of treble, clarity, dynamic range and articulation – gone are the days when a new Gibson neck pickup is likely to sport a woolly blanket. With a clean tone and spring reverb, it’s easy to get lost in a seriously expressive pool of tones that remind you there’s so much more to these guitars than hard rock. While original PAFs, Patent Number humbuckers and expensive PAF clones might get closer to the sonic high-water mark of the golden era, Gibson’s pickups have made significant strides in the right direction of is keen to describe the LP Modern’s single-coil voices as having P-90 characteristics, so we pull up the volume pots to see how close they get. Unlike many coil-split circuits, there’s no significant drop in level when switching from full humbucking mode, so that’s a good start. The treble softens and you do hear some of the wiriness, chewy midrange and nasal single-note tones that characterise Gibson’s iconic single-coil. The LP Modern isn’t going to fool anyone in a blind comparison with an old P-90 Goldtop or Special, but the single-coil voices here provide some interesting colours in their own right and respond particularly well to gain. We can imagine them being a real boon for your function-band neck pickup’s phase switch, on the other hand, does result in a big drop in output – but it hollows things out nicely for percussive funk and scratchy special effect’ lead tones. Flip to the pure bypass mode, however, and it’s the other end of the spectrum entirely. The additional kick and upper harmonic presence it brings to the bridge humbucker is tailor made for those big rock riffs and show-stopping Les Paul Modern might not have the romantic allure of a heavily aged Burst reissue or even a flamey Standard, but it’s a seriously versatile performance tool. With no built-in effects or Robot Tuners in sight, it feels like a contemporary take on a classic design rather than a gimmick and it retains enough essential Les Paul DNA to keep a high proportion of Lester fans FeaturesPRICE £2,299 inc. hard caseDESCRIPTION Solidbody electric guitar. Made in USABUILD Weight-relieved mahogany body with carved maple top, mahogany set neck with asymmetrical slim taper and modern contoured heel, 10-16” compound-radius ebony fingerboard with mother of pearl trapezoid inlays, 22 medium-jumbo frets, Graph Tech nutHARDWARE Chrome-finished aluminium Nashville Tune-o-matic bridge and stop tailpiece, Grover locking Rotomatic tuners with keystone buttonsELECTRICS Burstbucker Pro rhythm and Burstbucker Pro+ lead humbucking pickups with 3-way toggle pickup selector switch, 2x push/pull volume coil-split and 2x push/pull tone phase, pure bypassSCALE LENGTH WIDTH at nut, at 12th fretNECK DEPTH at first fret, at 12th fretSTRING SPACING at nut, at bridgeWEIGHT Gloss nitrocellulose Sparkling Burgundy as reviewed, Graphite, Faded Pelham BlueCONTACT Gibson Like this? Try theseChapman Guitars V2 ML2 Modern Standard £499, Gretsch G6228 Players Edition Jet BT £1,979, Nik Huber Orca ’59 £7,250 MusicRadar Verdict With its added features the 2008 Standard moves into a more boutique area but remains very well priced and quite old-school. Pros +Sharper than usual build and set-up. More vintage-like old LP tones. Price. Cons -The neck profile may divide opinion only because we love the '59 profile so much. Frets still need more profiling. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. Simple, classic. With a few modern twists... Gibson Les Paul 2008 StandardIt's 50 years since Gibson unveiled the sunburst Les Paul Standard, kicking off the journey of an initially far-from-popular instrument. Now, along with Fender's Stratocaster, it's become the world's most popular and recognisable electric Fender, Gibson has various historically accurate reissues available, but has also chosen in 2008 to release a new Standard. The new Standard advertises an enlarged neck tenon plus a properly chambered body to trim weight and add resonance. Time to open the case then…What's new?The new 2008 Standard looks forward with numerous changes that would seem to be aimed to bring it in line with, most obviously, more modern brands like PRS and it's the advertised chambering of this model or simply slightly lighter mahogany, or both, the 2008 is a little lighter and seems a little more alive as you tap your knuckles on its body. Here the body back is one-piece and the maple top subtly figured. Without the pickguard it also looks a little leaner and less fussy."If Gibson keeps up this improved, detailed construction, a few other boutique single-cuts will begin to look rather costly."Although the 'board and inlays seem dry and dirty, set-up is good the guitar arrived with a 'Plek'd' sticker on the bridge pickup including the nut, although we suspect opinion might be split over the tuners - one of the numerous changes to the 'standard' formula that we see are Grover locking types with chromed tulip buttons, not the more classic plastic of the traditional Klusons. The lock is achieved very easily with a large rear thumbwheel, which clamps the string in its post the tuners, the tune-o-matic and stud tailpiece lock to their posts. They are TonePros parts and, while the claim of increased sustain may be hard to confirm, they certainly won't fall off when you take all the strings advertises an 'asymmetrical' neck profile that's quite rare, especially on production electrics - the only other one that sticks in the mind is the profile used on the original Music Man Eddie Van Halen the bass-side is more 'D' shaped and the treble side is more of a 'C' with a shallower shoulder. It's slightly less deep at the first fret, at the 12th than Gibson's '50s rounded profile that, while similar at the first fills out to by the the 2008 has a BurstBucker Pro 1 at neck and a BurstBucker Pro 2 at the bridge and Bourne gold-plated pots visible through a smoked translucent control cover; also new is the Neutrik locking output jack tidily inset into the guitar's the electrics backplate and things all looks rather high tech the four square pots are soldered onto a Gibson logo'd PCB; the pickups connect to the PCB with clearly marked solder-less push-in connects; likewise the outputs to the toggle Guitarist's Dave Durban put the new 2008 Standard through its pacesThe 2008, while offering what seems like a slew of modern updates actually sounds older. What we mean here is that, certainly on the bridge pickup, which sounds a little hotter than a '57 Classic, we have more edge and spark to the sound; it clears up nicely too and you can really get older Les Paul voices - more classic blues Peter Green than modern rock Slash, if you neck pickup is very sweet and tuneful, again though there's a little more definition to the sound but it's lower in output compared to the bridge pickup and seems less balanced as a is a set-up you might prefer, of course, but we found it a little too unbalanced before we started messing with pickup heights. The mix, however, results in increased clarity - pull down both volumes and there's more single-coil like clarity than you might the 2008 feels like a modern production Gibson. Those frets still feel a little intrusive initially, and while the 2008's slightly slimmer neck feel will have its fans, some players may yearn for the more familiar neck shapes available in other areas of the Fender, Gibson's main business is providing us with umpteen versions of its classic guitars they may be historically accurate or signature versions or look a little to the future, as with the certainly have no problem with that and, barring a few minor quibbles, we have no problem with this guitar - especially with this year's trim price and its palpably sharper the slightly edgier, older sounding 2008 Standard will suit you, is really down to what you want from a 'Paul. What we will say is that if Gibson keeps up this improved, detailed construction, a few more boutique-y other-brand single-cuts will begin to look rather costly. Dave Burrluck is one of the world’s most experienced guitar journalists, who started writing back in the '80s for International Musician and Recording World, co-founded The Guitar Magazine and has been the Gear Reviews Editor of Guitarist magazine for the past two decades. Along the way, Dave has been the sole author of The PRS Guitar Book and The Player's Guide to Guitar Maintenance as well as contributing to numerous other books on the electric guitar. Dave is an active gigging and recording musician and still finds time to make, repair and mod guitars, not least for Guitarist’s The Mod Squad. Most Popular